"Glass's original soundtrack contained music for string orchestra and percussion ... Recreating such a diverse palette on a solo piano is impossible but Namekawa is clearly mindful of the need to characterise each cue accordingly ... Namekawa's excellent performance ... stems from previous work on Glass's set of 20 Piano Etudes ... Her ability to shape, pace and project the composer's music is most impressive during the more extended tracks, where she keeps all three elements superbly in check"