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Detaljer om materialet
Type
Cd (musik)
Format
1 cd, hybrid SACD, 1 kommentarbilag
Genre
andre soloinstrumenter
Emneord
Emnetal
78.4561
Bidrag af
Indhold
Pavane for lutSuite for lutPræludium for lutAllemande for lutCourante for lutCourante for lutSarabande for lutGigue for lutSuite for lutPræludium for lutAllemande for lutCanarie for lutCourante for lutGaillarde for lutSarabande for lutMenuet for lutAuserlesene Lauten-Stücke, 1747 (uddrag)CampanellaCourante for lutSarabande for lutArie for lutGigue for lutGavotte for lutSuite for lut, fis-molAllemande for lutCourante for lutSarabande for lutGigue for lutSuite for lut nr. 12, A-durPræludium for lutAllemande for lutCourante for lutBourrée for lutSarabande for lutMenuet for lutGigue for lutChaconne for lut
Beskrivelse
Indspillet i Länna Kirke, Sverige 2016
Forlag
BIS Records
Målgruppe
voksenmaterialer
Anmeldelser
Presto classical, 2017
"The lute by Sixtus Rauwolf heard on this recording was probably built in the last decade of the sixteenth century. Some hundred years later, in 1715, it was converted to suit the musical tastes and demands of the baroque period. For this disc, Jakob Lindberg has chosen works that could have formed part of the repertory of the presumably German owner of the instrument at around the time of its final conversion"
Presto classical, 2017
The gramophone, 2018 January
"Editor's choice: He is stately and expressive in Reusner's Padoana while seizing upon the extravagant trills and strums evoked by the Dufault and the elegant deportment of the Mouton. Lindberg similarly relishes the toccata-like textures, bittersweet harmonies and melodic attractiveness of Kellner ... Lindberg's mastery of this repertoire is at its most convincing - and moving"
BBC music magazine, 2018 March
"The Rauwolf highlights the variegated colours of the music (far more than a modern lute could), and its lower courses have a plangent resonance ... Given pride of place at the end of this parade is Silvius Leopold Weiss, whose music Bach admired and arranged. Lindberg luxuriates in Weiss's rich and varied style ... The recording - like the instrument itself - is velvety and intimate"