- Cd (musik)
Kvartet for fløjte, violin, viola da gamba og continuo nr. 10, h-mol, TWV 43:h2 (Nevermind-Ensemblet)
Af Georg Philipp Telemann (2017)
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Detaljer om materialet
Type
Cd (musik)
Format
1 cd, 1 kommentarbilag
Genre
kammermusik
Emneord
Emnetal
78.426:4
Bidrag af
Indhold
Fuga for cembalo, a-mol, TWV 30:14Kvartet for fløjte, violin, viola da gamba og continuo nr. 10, h-mol, TWV 43:h2Kvartet for fløjte, violin, viola da gamba og continuo, F-dur, TWV 43:F1Kvartet for fløjte, violin, viola da gamba og continuo nr. 1, G-dur, TWV 43:G1Kvartet for fløjte, violin, viola da gamba og continuo nr. 12, e-mol, TWV 43:e4
Beskrivelse
Indspillet i Grenoble, Frankrig 2017
Forlag
Outhere Music FranceAlpha Classics
Målgruppe
voksenmaterialer
Anmeldelser
DR musik, 2018 uge 08
"Ugens album: På Ugens Album på P2 er det Telemanns måske bedstkendte værker, man kan nyde: hans Pariserkvartetter ... Den næsten 300 år gamle barokmusik bliver spillet af en gruppe unge musikere fra Paris. Ifølge Jens Cornelius er deres spil virtuost og superdynamisk, mens det på samme tid har samtidig ekstrem delikatesse"
DR musik, 2018 uge 08
MusicWeb international, 2018 January
"Ensemble Nevermind made a good impression ... with their Conversations album, and this Telemann programme also surpasses expectations for range and sheer variety of musical content ... With an excellent refinement of balance that blends the harpsichord with the other instruments, this is a production for long-term delight ... All sound very nice indeed, the transverse flute played with sweet nuance by Anna Besson ... For Telemann fans and those intrigued by what happens when German baroque meets French fashion, this is a must"
MusicWeb international, 2018 January
BBC music magazine, 2018 February
"Telemann was much admired during his lifetime for his trios and quartets. It is not hard to see why for these elegantly and idiomatically crafted pieces ... are full of melodic enchantment and expressive nuance ... These excellent performances by NeverMind explore the rewarding subtleties of Telemann's writing with intimacy and an unerring sense of stylistic decorum"