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Detaljer om materialet
Type
Cd (musik)
Format
1 cd, 1 kommentarbilag
Sprog
latin
Genre
renæssance -> 1600
Emneord
Emnetal
78.652
Bidrag af
Indhold
Gradualia, 1605Cantiones sacrae, 1589Gradualia, 1605Gradualia, 1605Cantiones sacrae, 1589Cantiones sacrae, 1589Gradualia, 1607Gradualia, 1607Gradualia, 1605Gradualia, 1607Gradualia, 1607Gradualia, 1607Cantiones sacrae, 1575Cantiones sacrae, 1591Gradualia, 1605Gradualia, 1605Gradualia, 1605Cantiones sacrae, 1589Gradualia, 1605
Beskrivelse
Indspillet i The Chapel of King's College, Cambridge, England 2017
Forlag
King's College, Cambridge
Målgruppe
voksenmaterialer
Anmeldelser
MusicWeb international, 2018 March
"It was from recordings made by King's under David Willcocks that, like many others, I got to know Byrd's music ... The new King's recording compares well both with earlier King's recordings and with other cathedral and collegiate choirs ... The music of the English composers of the earlier renaissance may appeal with its more spectacular vocal gymnastics, but Byrd's music with its slightly plainer style, like the later music of his mentor Tallis, has its own appeal in performances of this quality ... This latest in the series of King's recordings on their own label is very successful and would make as wonderful an introduction to Byrd as the Willcocks LPs did in their day"
MusicWeb international, 2018 March
The gramophone, 2018 May
"The Choir of King's College, Cambridge, and the Renaissance composer William Byrd are undeniably icons of English music. It is a delight, therefore, to hear them united in these surprisingly exuberant performances ... Throughout this disc, Cleobury opts for an upfront expressivity quite at odds with that classic, old King's sound, leading to some very exciting moments ... The sound of the horal scholars - fuller, richer and bolder than ever before - pays many dividends"
BBC music magazine, 2018 September
"Stephen Cleobury stakes his claim on a clutch of Latin motets artfully arranged to chart the onward march of the liturgical year. It's a neat idea, though not without some musical drawbacks ... Perhaps some of it is exacerbated by Cleobury's often driven direction - as if to distance himself from the Willcocks tradition"