"Reich has gone back to the techniques of Tehillim, in which very short ideas are also varied, rather than to the longer-breathed constructions of The Desert Music ... The performance positively glitters; it seems quite clear that the Los Angeles Master Chorale under Grant Gershon are responding to the work's intrinsic glow ... Cello Counterpoint ... is performed in this version by the remarkable Maya Beiser with seven pre-recorded parts ... sound very often as though they were one gigantic hummming, strumming instrument"