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Detaljer om materialet
Type
Cd (musik)
Format
1 cd, 1 kommentarbilag
Genre
kammermusikklassisk musik 1950 ->
Emneord
Emnetal
78.427:9
Bidrag af
Forlag
Orange Mountain Music
Målgruppe
voksenmaterialer
Anmeldelser
MusicWeb international, 2018 March
"This is the first Glass's pieces to be recorded by SLEE, and the booklet note points out that this was also the first work to be recorded by the Philip Glass Ensemble back in 1971. The work hasn't been performed by them much if at all since the early 1980s, and so it has a lower profile than much of his other work ... The Salt Lake Ensemble works largely in the electronic domain, so are to an extent released from the rhythmic and endurance demands of 'live' performing. This allows for a punchy speed and pin-sharp accuracy, though you will have to decide for yourself if the lower profile of acoustic instruments and voices is preferable or not. Cello, saxophones, keyboards, guitar, bass guitars, trumpet, flugelhorn and voices are all listed as contributing, though they are not always easily identified ... Each version is unique in its own right ... SLEE has made their own interpretation according to their principle of using multiple laptop computers and electro-acoustic instruments ... I found the result as a whole quite groovy and invigorating ... Investigating the roots of repetitive minimal music has rarely been so much fun"
MusicWeb international, 2018 March
The gramophone, 2018 May
"Lying between Glass's early, strict minimalist pieces of the late 1960s ... and large-scale compositions of the mid-1970's ... Music with Changing Parts is sometimes viewed as a work in transition ... This excellent new recording by the Salt Lake Electric Ensemble will surely convince ... The notes and rhythms themselves serve only as a starting point for SLEE's imaginative recreation of Glass's score ... but soon takes the listener on a journey that encompasses pulsing ambient and electronic sounds, space rock and synth pop ... The result is a pulsing sonic patchwork that will surely encourage many to reassess the evident merits of this early minimalistic classic"
Diapason, 2019 septembre
Vurdering: 4/5